Monthly Archives: February 2011

Zen and the Art Of

I was supposed to be following my breathing. I was supposed to stare at this white wall—“the emptiness of it”—and silently “count my breaths.”

Simple Zazen: Breath in and count one. Breath out and count two. When you reach ten, begin at one again.

I was supposed to sit on this hard buckwheat pillow, legs in a half-pretzel pose, and learn to ignore what the Zen Master called my monkey mind—“always fidgeting around!”

“You are undisciplined!” he told me in our private talks. “You emotionally react to your thoughts!”

He folded his monk’s robes in a fluid motion and relaxed into a full lotus. It was like watching a dancer move, or a serious athlete. He sat directly across from me. Very close. Too close. I could smell the onions on his breath. He continued his speech.

“For most people, getting emotional about thoughts isn’t much of a problem,” he began poking me gently in the forehead, “but that imagination of yours is dangerous, boy. You must tame it.”

When I first met the master,  I told him that, as a child, I would uncontrollably imagine entire narratives for strangers.

For example, if I saw a person genuinely smiling—the smile that hits the eyes—I’d compulsively create a story to explain that happiness. I’d weave an entire tale that ended with that one smile.

It was my private game, sort of. I mean, I assumed everyone did it, and I generally enjoyed it.

Unless people’s misery caught me. Particular looks of suffering,  scowls or deeply sunken eyes,  depressed tones of voice—any of these cues could thrust me into a dark fantasy. Deeply unhappy people overwhelmed me.

On several occasions, these are emotional memories, I literally burst into tears, wept over the look in a stranger’s eyes. Flashback: “Oh what a cute baby!” Explosive sobs. My poor mother.

The Zen Master had heard enough. He sat me on an earthy crunchy pillow, and told me to:

“Detach from your thoughts. All that you are is breathing. Follow your breathing and ignore your monkey mind.”

He sat to the left of me, facing me, upon a three foot raised platform: to watch.

“Do not move!” He commanded. He always bellowed his voice. I always flinched, involuntarily. “Do not move, I said!” Again and again.

As I sat there breathing, I could see him peripherally: a wooden statue frozen in the corner of my mind. Stone. Rigid. Watching me. Not even blinking.

What is this person? I thought.

Then I felt the bamboo reed on my left shoulder. See, the advanced students strode silently around the meditation hall. This was their meditation. They were training to be masters by watching the beginners for signs of wavering focus—“slouching, a slight fidget, breathing too noisily.” The master had explained all of this.

The bamboo reed was an offer of assistance. My hyper-focus on the looming master was setting off major alarms. I had moved my right foot, slightly.

“Would you like some help?” the reed figuratively asked me. The master was watching, and I wanted to please. I said yes in the way I was trained to: hands together and raised to my forehead.

The first two quick whips were sharp–like two wasps stinging my right shoulder. The second couplet—to my left shoulder—were harder. They felt like belt straps.

The four lashes jerked my spine straight. I stared at my wall.

Breath in and count one! Breath out and count two! When you reach ten, begin at one again!

I put the pain to the side, but I did not ignore my thoughts. I thought about my father. I was twenty-two years old, and I hadn’t seen or heard from my dad in over ten years. His war trauma had ripped my family apart. By my eleventh birthday, he was court ordered to remain far away. And he did.

In many ways, this is where my story begins.

Chapter One: I was hanging out with these abusive Zen-assholes for a few months. I don’t know why I was there. I guess I was looking for something. Anyway, this one night, one of them gave me a good old-fashioned beating! And I fucking took it. In fact, I asked for it. Can you believe that shit? I let this scrawny, cue ball motherfucker whip me with a bamboo reed!

Thank you, sir! May I have four?!

I couldn’t fucking believe it. I mean, I just sat there wounded, pretending to meditate, thinking over and over and over again, like a new mantra: Fuck, I have to find my father.

#njpoet

 

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And yes, Republicans are cannibals in this story…

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Atheist Loss

She said, “Charlie is in the other room crying. Please go tell him not to worry. Everything will be ok.” My mother’s tone was steady and sure. She sounded relieved and calm. “I know you don’t believe in these things,” was how she started the phone call, “but Grandma came to me in a dream last night. She wanted me to tell you something.”

 

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I can teach anyone almost anything, but…

When it comes to explaining myself—the author, Charles Bivona—I really suck. People are generally dumbfounded by my groping attempts at self-literary analysis.

Many have constructively criticized my writing, my many blogs, my political poetic tweeting.  What’s this all about? they ask me. I think they sense the conflict at the foundation of my character.

See, on the one hand, I’m a nine-year-old boy who dreamt of being Walt Whitman. I celebrate myself and sing myself, and all that jazz.

On the opposite hand, I’m a ten year old boy who saved his mother’s life by damn near killing his own father, or at least snapping and trying to.

Luckily, the above-mentioned love of poetry saved my mind. Poetry gave me an outlet. I know it’s a huge cliché, but it’s true: I started writing in a journal when I was five.

On a parallel third hand, I’m a man who pushed through twenty years of intensive psychotherapy, psychoanalysis, group therapy, daily Yoga practice, meditation, and serious Buddhist training—all to get a grip on the trauma of growing up with my violently unstable Vietnam Vet father. I considered becoming a Buddhist monk, but I really love sex. True story.

I still wanted to be Walt Whitman, and Allen Ginsberg, and T.S. Eliot, and, and, and…So, I followed this path of least resistance all the way to graduate school. I am now in the last lap of my PhD program. I study Modern History and Literature with an emphasis on War Poetry—specifically, the Vietnam War. The war my father re-enacted in my living room has become a career. The aging Buddhist monk in me insists that this is an example of very good karma.

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I’m trying to write a mission statement.

At my purest, I’m a writer. I write about everything.

My literary readers, those who favor my poetry and memoir work, they say I take them places with words. They say I make them feel the emotions of my  thoughts. To that praise, I offer the ecstatic grateful handshake of a boy who always wanted to be a poet. Thank you.

Others readers, the political junkies and activists who follow my antiwar and anti-corporate politics on The Active Voice, they say I teach them about their world. One woman called the site “a great news source.” I’m honored by this praise and offer a simple monk’s bow — humble thank you. It is my good fortune to serve.

Still other readers are fans of my fictional, Bukowski/Vonnegut alter ego, Tom Hardie. They call me courageous. They say I write the things they can’t afford to scream in the faces of  their worthless bosses. They love that I tell off the powerful, that I rage at the rampant stupidity of our culture. This always makes me smile. I sometimes fantasize about a great future generation of young, outspoken, outraged Tom Hardie poets! That would make my life.

Some of my readers are simply amazed that I refer to myself as a poet, especially in my country, the good old USA, a place that doesn’t value poetry much.

How can I tell the world I’m a poet? a shy writer once wrote to me. He was afraid he’d be ridiculed by his friends. He probably would be. I once was. He wrote that I was his favorite poet, alive or dead. I read his email on my iPhone and cried. He asked me for advice. I hid my own poetry for decades for much the same reasons. I didn’t know what to tell him. The best I could reply was, just keep writing.

So, in these blogs, I’m taking my own advice. I’m going to just keep writing on the internet for all to see, create a digital song of my mind as it grapples to make sense of this ever-decaying world of ours.

But I will also teach, report, argue, engage, and build a conversational community that will raise the level of discourse in my little life, maybe, just a little bit. I will follow politics, call out criminals, fight bigots, and write some intense poetry.

I want to share as much of myself as I can, map my mind and my life onto this growing cyber-consciousness. Then when the super computers take over the planet, the cyborg clone of  Charles Bivona will be amazingly accurate, and I will be rendered technologically immortal…

I  sometimes dabble in comedic sci-fi, too.

I’ve divided my work into three different blogs to accommodate my three different audiences and voices.

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The Life and Mind of Charles Bivona:
Personal Journalism

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The Active Voice:
Politics, History, Culture w/ Prof. Charles Bivona

&

The Hard Hang
of Tom Hardie

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Of course, the lines between my three voices will blur and shift often. Many of the political, historical videos and articles I gather on The Active Voice directly inspire my personal journalism and poems, and sometimes — not very often, I swear — a Tom Hardie story is true!

I’ll never tell which posts are factual, but guessing in a comment is always fun, and you never know when I’ll be in a confessional mood.

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You can easily access the three websites, and some other fun stuff I’ve done, from  the HOME INDEX.

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HOW YOU CAN HELP

SUPPORT THIS ART EDUCATION PROJECT

There are several ways you can help me build a community of actively poetic, politically and historically conscious voices, and simultaneously help prevent my future house-lessness.

  1. Browse my Bargain Book Store .. Yes, it’s an Amazon.com store. Sorry. I haven’t had the time to choose a more politically conscious replacement. Very Sorry!  I ::HEART:: Wikileaks! Truth Will Out!
  2. Browse my Cafe Press Store and buy some merchandise: t-shirts, stickers, even Bodhi Snuggle Cards. This is also a cool way to help me advertise my work.
  3. You can make a one-time donation and I will praise you poetically on Twitter and Facebook,  as well as add your name to the YOU ROCK! Donor’s Page, which I am currently constructing.
A Monthly Supporter Program, complimentary T-Shirts, poetry readings, teach-ins, an Underground Hip-Hop Show, Guest Bloggers, and maybe even some paw-tographed Bodhi prints! COMING SOON!
Thank you for reading along.
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Want More?

Check Out:


My Karaoke Mission Statement

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my solitude lengthens into poetic meditations

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Walking Meditation

– om mani—back to pacing with prayer beads in hand—counting—counting my breaths—stay calm—nights like this: fantasies restless—neuron friction—hot behind my eyes—stop it! with the bloody metaphors and violence—stop it! —no one wants to hear this, Charlie! —my mother calls after reading my poems—be nice!—and laugh at these stupid commercials. Be nice! And get a job! and another —and another—That’s right, I said get a fucking  job, you bum! A poet? Are you fucking kidding me?!—dad makes his first appearance in months—old decaying corpse of a memory, ignored—trauma in an M1 helmet and Vietnamese blood on his shirt—om mani—the working class killer I was cum from—padme hum—

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